Bollywood in Tbilisi

Just finished shooting two Indian music videos for a group of filmmakers from Mumbai, led by the talented directors Ajay and Sanjukta Jain and T-Series executive producer Sumeet Mithra. This was my first experience working with Bollywood and it was very rewarding. An entirely creative and very professional group. We shot for five days in locations around Tbilisi. Some days […]

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The golden age of content is Now

What it means to be a Director of Photography is changing. As I’ve discussed in previous posts, I no longer see myself as a DoP in the traditional sense, but rather as the principle visual designer of the projects I work on. I’ve noticed that as makers continue to push the boundaries of our work, the roles of visual designer […]

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Picture wrap: “Germanuli Beer”

. One of the things I love about shooting commercials is how much visual diversity there is between projects. I recently shot a series of beer commercials for the Windfor’s agency in Tbilisi, Georgia. We shot three different spots in two days, and each one has a unique style. Whereas long-form projects such as feature films […]

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Note to Self: Fail Harder

Love this artwork made by students at WK12, the experimental ad school at Wieden + Kennedy Portland. The message is one I need to remind myself of every day. The view from Kostava Street: rain, and too much analysis. The continuing mission: Fail. More. Now.

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The Art of Layering

The visual complexity of successful motion picture work––particularly high-concept imagery––can be challenging to deconstruct, even for those of us who do it for a living. As the audience we know viscerally when a piece works, but it’s often difficult to understand what elements came together to create this effect, or even how the artists conceived […]

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A case study: color grading

There was a time early in my career when post-production work was less about color grading and more about basic color correction: making global color adjustments to rough in a general look (and fix photographic mistakes I made during the shoot). It was more broad strokes than anything else. These days the look I want […]

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